This is a unique idea in the world that celebrates 30 years: there is no country with a dense than the regional contemporary art collection (FRAC) network. Nord-Pas-de-Calais in Aquitaine, Alsace Corsica to these 23 institutions (for 22 metropolitan areas over the meeting) is one of the peculiarities of the French art system? Ais, designed as cultural component of laws Defferre 1982 on decentralization. Subsidized by the state and the region (an elastic parity ranging from 5% to 50% for the Ministry of Culture), they were built around a triple mission: collect living artists, and disseminate their works? public awareness of the new aesthetic codes.
In attempting to irrigate a province which was then a wilderness of contemporary art (museums and art centers could be counted on the fingers of both hands), the Ministry of Jack Lang suspected it that, between them, the FRAC now meet on the third largest collection in France? Is 26,000 works … Many of them will not remain in history, no doubt. But some jealous make the best museums in the world: the FRAC Pays de la Loire acquired sculpture by Anish Kapoor in 1983, but also Richard Prince and Yan Pei Ming, the Aquitaine has only Jeff Koons who is in French public collection? comfortable.
Mediation, not bang
Many parts worth millions today, early intuitions permitted by committees made up of leading experts acquisitions. “Abroad, everyone is very appreciative of the decision of the state to build this common heritage, says Florence Derieux, director of the FRAC Champagne-Ardenne. This allows us to have partners in size, such as Tate Modern and bring our exhibitions in Geneva, Vancouver and Rome. ”
We tend to overlook this aspect, to blame the FRAC visibility relative. They forget that, rather than t mount flashes of brilliance, these institutions must irrigate their territory: h schools in hospitals, prisons and retirement homes, the mediation operations are endless? third out of collections each year reserves. The FRAC Pays de la Loire has been imagined in 2012 with funds from Poitou-Charentes and Centre extensive operation called “Dream of a Summer Night”: from castles to abbeys, 200 works were disseminated a more customary public monuments. “We are reaping the fruits of those thirty years FRAC analysis of its director, Laurence Gateau. Gaze of the public has changed. Never has asked me to do the TV ratings, but I am touched to know that 100,000 visitors discover our exhibitions every year. ”
In these structures, it has been criticized for promoting an official art. But this is without counting the strong personality of their managers. Most funds defending a wide variety of trends, but some focused on specific reflections: architecture in the Centre region (a collection paid in the world), the time in Franche-Comte, drawing in Picardy. Collection FRAC Lorraine in Metz has focused on women artists. “I simply took into account the lack justifies its director, Beatrice Josse. Same when I favor artists from non-Western cultures. Art is a material question, it is not there to fill the reserves, but to revisit the history of art and refuse to endorse the dominant thought, even Trifouillis-the-goose. ”
Another focus of this remarkable collection: intangible works?. First in France to acquire a daring performance of Tino Sehgal, before it spreads to the Guggenheim in New York, Beatrice Josse accumulates disembodied “by taste of the performance as well as by necessity. It amuses me pointed out that capitalism is able to buy everything and anything “. And if our national wealth, beyond the 26,000 collected works, was also in the plural – immaterial – these looks?
On the Web: www.frac-platform.com
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